Trentemøller

Lost

In My Room

Copenhagen based musician Anders Trentemøller ́s talent for heart wrenching melodic moments and exceptional produc- tions, fused with his trademark sound somewhere between indie and electronic, has established him as one of the most respected and admired artists and remixers of this century.

In 2006, following a line of 12” electronic EPs, Trentemøller re- leased his groundbreaking debut album ‘The Last Resort’. High placements in several polls for best album of the year followed and established his name to a much broader audience.

In 2007 Trentemøller assembled his first full live band with his friends, multi artist Henrik Vibskov on drums and musician Mikael Simpson on guitar. Complete with visuals from director Karim Ghahwagi, the ensuing ‘Trentemøller: Live In Concert’ tour was a milestone, bringing him to the US for the first time as well as some of the biggest festivals in the world, including Glastonbury (UK), Roskilde (Denmark) and Melt! (Germany).

In 2009 ‘The Trentemøller Chronicles’, a double-compilation of unreleased songs, his personal favorite non-album tracks as well as a collection of remixes for high profile acts as Röyksopp, Moby and The Knife, was released. Later that year Trentemøller hit another personal career landmark, when he headlined the Orange Stage at Roskilde Festival, playing in front of 60,000 people featuring a unique set design created by Henrik Vibskov. The crowd reactions and press reviews were all top shelf.

After starting up his very own record imprint, In My Room, Tren- temøller’s second album ‘Into The Great Wide Yonder’ was re- leased in 2010. Four years after The Last Resort, it fulfilled the unenviable task of following up a modern classic. It was also a move into a more analogue sound influenced heavily by indie and post punk – and incorporating even more live instrumenta- tion and vocals.

The record was met with high applause for taking yet another clear step away from his electronic beginnings into more exper- imental soundscapes. Expanding his live band, now seven peo- ple on stage, he kept on touring around the world for two years. Highlights included a barnstorming set at 2011’s Coachella Fes- tival, where NME called the show “one of the biggest breakouts of Coachella,” he “stunned all onlookers and became the toast of the fest.” Trentemøller made even further inroads into the US shortly after, appearing on Carson Daly and playing throughout the US on a sold-out tour. The world tour ended with two con- secutive, sold out shows at Den Grå Hal in Christiania (Copen- hagen), which was recorded and later was released as the album ‘Live In Copenhagen’.

Following his sophomore album, ‘Reworked/Remixed’ was re- leased. A double compilation, celebrating some of Trentemøller’s favorite remixes he completed for other artists, and also some of his personal picks where other musicians have reworked his music – featuring the likes of Modeselektor, UNKLE, Franz Ferdinand, Andrew Weatherall, Efterklang and Depeche Mode.

Trentemøller’s captivating sound has also found a home in the world of cinema. His productions have been used by prominent directors including Oliver Stone (Savages), Pedro Almodóvar (The Skin I Live In) and most recently Jacques Audiard, who soundtracked a pivotal scene of his film Rust & Bone, with An- ders’ classic bootleg remix of Bruce Springsteen’s ‘State Troop- er’, that he had made for himself to play at one of his increasing- ly rare DJ sets.

In September 2013 Trentemøller released his third full-length al- bum ‘Lost’. “Much like its predecessor, ‘Lost’ serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into.“ (Vice) ‘Lost’ is a symbol of the powerful sound Trentemøller has gained through his extensive live touring. It’s a record defined by its the- matic guitars, analog synthesizers and robust melodies; the an- tithesis to the feel of programmed, quantized music that some of his most early fans know him for. It’s also his most collaborative effort yet, pairing him with a vibrant cast of vocal features— the legendary duo Low, Jonny Pierce from The Drums, Marie Fisker, Kazu Makino of Blonde Redhead, Jana Hunter of Lower Dens, Ghost Society and Sune Wagner of The Raveonettes all make appearances on this stunning album, which traverses krautrock, indie-rock, post-punk and even jazz and classical influences.

In the summer of 2013 Trentemøller supported Depeche Mode on their Delta Machine world tour, taking him to stadiums around Europe, followed by festival shows (like Melt, Dour, Pitch, Calvi and Zurich Open Air) as well as venue shows. All of 2014 is equally dedicated to touring with his band – the one thing Anders loves just as much as being in the studio creat- ing music to take to the stage.

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